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![]() Four Smiles, 2012H328 x W130 x D1,5 cm | ![]() Summer's End, 2012H248 x W100 x D1 cm | ![]() Up Here and There, 2012H400 x 157 x D126 cm |
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![]() Spring Time, 2012H314 x W115 x D1,5 cm | ![]() Sunny Moon, 2008Dia. 271 x 15cm | ![]() Innerscapes on the move, 2008Dia. 11.5m x 90 cm |
![]() Midnight Dance, 2012Dia. 149 x D3 cm | ![]() Natural Tower, 2012H445 x 212 x D171 cm | ![]() All Reveal, 2012H306 x W240 x D2 cm |
![]() Early Spring, 2006H168 x W101 x D5 cm | ![]() Endless Column, 2012H607 x W54 x D60 cm | ![]() Dry Leaves, 2012H367 x W201 x D1,5 cm |
![]() Tongue in Cheek, 2010H290 x W157 x D1,5 cm | ![]() Over the top, 2012H347 x W160 x D1,5 cm | ![]() Mid Spring, 2012Dia. 249 x 15 cm |
![]() Big Head, 2010H373 x W155 x D11 |
SINGAPORE BOTANIC GARDENS, 2012
Corten steel, measurements variable
Flowers and trees have long played a strong role in Ben-David’s practice and are now joined by “human butterflies”, which first made their appearance in his practice in 1990’s. Zadok Ben- David skilfully uses the butterflies as a metaphor for human attitudes and behaviour. This installation reflects his on-going engagement with the humanisation of nature as a mean to express emotion.
Photo credit - Barnaby Hindle
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